All Dante Gabriel Rossetti Oil Paintings


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Dante Gabriel Rossetti Beata Beatrix oil painting


Beata Beatrix
Painting ID::  27675
Artist: Dante Gabriel Rossetti
Painting: Beata Beatrix
Introduction: mk58 C.1864-70 oil on canvas 86.4x66cm Tate,London
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Found oil painting


Found
Painting ID::  28015
Artist: Dante Gabriel Rossetti
Painting: Found
Introduction: 1854- Oil on canvas 91.4 x 80 cm (36 x 31 1/2in) Delaware Art Museum (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti La Ghirlandate oil painting


La Ghirlandate
Painting ID::  27892
Artist: Dante Gabriel Rossetti
Painting: La Ghirlandate
Introduction: 1873 Oil on canvas 115.6 x 87.6 cm (45 1/2 x 34 1/2 in) Guildhall Art Gallery,London (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti The Gate Memory oil painting


The Gate Memory
Painting ID::  28017
Artist: Dante Gabriel Rossetti
Painting: The Gate Memory
Introduction: 1857-64 Coloured chalks on paper 33.6 x 26.6 cm (13 1/4 x 10 1/2 in) Private collection (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti How They Met Themselves oil painting


How They Met Themselves
Painting ID::  28036
Artist: Dante Gabriel Rossetti
Painting: How They Met Themselves
Introduction: c 1850-60 Bodycolour 33.9 x 27.3 cm (13 3/8 x 10 3/4 in) Fitzwilliam Museum,Cambridge (mk63)
   
   
     

 

 

 

 

 

 

 


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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | Bourel Aristide | Arnoldus Bloemers | Mota, Jose de la | Nikolai Ge | Herman Saftleven |

 

 

 

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